Sunday, February 18, 2018

Smith Article (due Tuesday 2/20)

SMITH ARTICLE:
Ashtanga Yoga

Discipline and authority lie at the heart of Traditional Yoga (But how do we deal with this in modern TNY in the USA?) How is authority established through teaching and practice in the West?

·         GURU-S’ISYA (teacher –disciple) relationship

·         Physical Challenge of Daily Practice

·         Textual foundations and antiquity of practice

·         Physicality of teaching and traditional authority of the teacher

·         Progressing through teacher’s touteledge

History

·         First trained Norman Allen, David Williams and Nancy Gilgoff.

·         1974 brought PJ to calif

·         Now popular around the world mostly in urban contexts

·         Purpose: keeping fit and flexible and managing stress

Seriousness of Practice

·         Physically demanding nature of asana practice

·         Emphasis on daily practice

·         Programmatic form guided by teacher

·         Orientation toward PROGRESS (DRIVEN PERSON)

Role of HEAT

·         Internal heat (TAPAS) integral to practice

o   With heat even iron will bend

o   Aestheticism, discipline and generation of actual INTERNAL HEAT

o   Leads toward the perfection of the body-samadhi-blissful state

o   Ritual heat is linked to personal transformation and spiritual refinement

·         AGNIpurifying heat (burning out the impurities)

o   Head heat turns one into a seer as well

o   Tapas  practice is in al important yoga textual sources

§  Gita: austerities of body speech & mind

§  Manusmriti: methods are prescribed for priests- to minimize their attachments

§  Yoga sutras: part of the definition of Kriya yoga (action)- Tapas is essential to the achievement of perfection alongside self study (Svadhyaya) and the worshipping of god (isvara pranidhana) 2.1

·         Also third of the NIYAMA observances – activities conducive to the achievement of spiritual liberation. They provide the foundation for the higher LIMBS of yoga 2.43

·         4.1 foundation for Siddhis (extraordinary powers) and achievement of perfection

·         YOGA MALA

o   The strength gained through practice …we can come to know the method for bringing the mind and sense organs under control

o   Yama, Niyama, asana, pranayama, pratyahara, dharana, dhyana Samadhi

o   The perfection of the body and sense organs …due to the intensity in spiritual practice (tapas), being the elimination of impurities.-observances performed to discipline the body and sense organs.

o   Purification is about the GROSS PHYSICAL BODY, and the SUBTLE/ENERGETIC BODY.

§  SIRA- kind of nadi (internal mechanism) Dhamini, nadi sira…gross, subtle and very subtle channels which move internal energies within the body. (from the HYP)

§  When the body is purified, so is the breath, and then the mind because of this subtle linkage of the body to the “message center” through the siras.

o   Pranayama (Ujjayi)

§  The breath regulates the vinyasa and ensures efficient circulation of blood. The result is a LIGHT, STRONG body.

§  Asana plus pranayama purifies the blood. 32 days and 1 drop of blood make VITAL NECTAR *Vria-life force). Stored in the crown chakra. Vria travels downward and is consumed by the upward flow of agni (digestive fire). If it is gone, we are lost. Asana and INVERSIONS safely store and maintain this vria in the AMRTABINDU

·         Teaching authority

o   Highly regulated by PJ and grandson now

o   Emphasis on sweating as an indication of internal heat production

o   Rub in sweat (LIGHT SHEEN is better than profuse sweating) (HYP)

o   Sweating after the casting out of impurities leads to the trsansformation of the body which is the first stage of yogic transformation. (HYP) FIRM AND LIGHT

Achievement, Discipline, and Authority in Practice

·         Controls yoga teachers certification and authorization

·         Performance of spirituality (Nevrin) is regulated by PJ

·         High energy atmosphere characteristic of the shala-COLLECTIVE NATURE

·         No nonsense style of teaching

·         Reverence for the guru

·         Control over development of each students practice

·         Weekly “conference” with guru, seated on a chair or raised dias while students sit on floor and listen

·         Students wait in line to bow down in front of their guru and kiss or tough his feet three times in the traditional gesture of devotion

·         Use of Sanskrit quotations in question and answer sessions, limited English tio answer questions. Relies on parable

·         Challenging ADJUSTMENTS of AYRI-authority of teacher

o   “openings” or injuries?

o   Inherited from K who emphasized fierceness???

·         Practices seen as CORRECT or INCORRECT by PJ

·         Sequences confirmed by the YOGA KARUNTA and are unalterable

o   Eaten by ants, acquired by K, but taught directly to PJ by K

In the WEST, the emphasis the PJ had on internal heat as a way of achieving spiritual transformation through cleansing the BODY (foundation for higher practices) is often replaced by the idea that the practice is about PERFECTING the body as a lean, strong and flexible machine through the perfect performance of asana. Tapas=EAST: (HYP)

·         Elimination of toxins through the skin

·         Internal purification of the gross and subtle aspects of the body

·         Transubstantiation of bodily fluids into vital essence of AMRITA

*Heat will destroy all obstacles to transformation vs heated practice will perfect the body.

Ashtanga Yoga: 2/22 (practice)




Ashtanga Yoga

  • read "about" and "moon days"


PRIMARY SERIES

  • we will be doing THIS PRACTICE...go over it!

Tuesday, February 6, 2018

Guide to Reading the NEVRIN (Xerox) Article-DUE 2/15

Nevrin Article (Empowerment and the Body)

“Empowerment and Using the Physical Body in Modern Postural Yoga (MPY)”
-What is the importance of the practice environment? Can you see any of these elements in the setting in which you are practicing?
-What is the importance of “performance” and “sequence” in modern postural yoga? (in the Krishnamacharya school) Do you see this in the setting in which you are practicing?
-How might one see the practice environment as a “ritual setting”? One that might induce a certain state of mind or encourage a kind of experience?
-Consider what Nevrin calls the “elements of experience”:
--How are these important (you may elaborate from your readings), and again, do you find them in your practice setting?
1) context/scene
2) ritual enactment
3) importance of the “embodied experience”
Consider the three aspects of “embodied experience”
1)      Attending to movement
2)      Heightened sensitivity
3)      Emotion
-What is the “bodily felt sense” (Levin)? How is it significant here?
-What is kinesthesia (sheets-johnstone)? How is it significant here?
-What does the Laban Body Movement technique say about the relationship between the body and mood? --How is this significant here?
-What is EMBODIMENT? Can you define the lack of embodiment? (Zarelli, Classen,Leder?)
-What does embodiment have to do with our experience? Can you relate to this state of being?
-Why does being a part of a community of practice (public practice) provide a different experience of emotion?
-What does embodiment have to do with EMPOWERMENT?
-What is the difference between social and individual empowerment?
-How does public practice change us, compared to solitary practice?
Laban technique demonstrated
Laban Personal Practice
Delasarte Technique (3rd graders)
  • Consciousness

    • the body-subject as an alternative to the Cartesian "cogito." This distinction is especially important in that Merleau-Ponty perceives the essences of the world existentially. Consciousness, the world, and the human body as a perceiving thing are intricately intertwined and mutually "engaged." 
    • The phenomenal thing is not the unchanging object of the natural sciences, but a correlate of our body and its sensory-motor functions. Taking up and "communing with" (Merleau-Ponty's phrase) the sensible qualities it encounters, the body as incarnated subjectivity intentionally elaborates things within an ever-present world frame, through use of its pre-conscious, predicative understanding of the world's makeup. 
    •   The world and the sense of self are emergent phenomena in an ongoing "becoming."
    •  The object of perception is immanently tied to its background—to the nexus of meaningful relations among objects within the world. Because the object is inextricably within the world of meaningful relations, each object reflects the other.
    • Through involvement in the world – being-in-the-world – the perceiver tacitly experiences all the perspectives upon that object coming from all the surrounding things of its environment, as well as the potential perspectives that that object has upon the beings around it. 
    • Each object is a "mirror of all others." Our perception of the object through all perspectives is not that of a propositional, or clearly delineated, perception. Rather, it is an ambiguous perception founded upon the body's primordial involvement and understanding of the world and of the meanings that constitute the landscape's perceptual gestalt.
    .
     
  • Rehabituationhow experience is changed when one learns new ways of making sense of and using their bodies
     
  • Kinestesia: (Maxine Sheets Johnstone) not an object of consciousness or perception, but more accurately a “felt unfolding dynamic” Knowing where you body is in space all at once. Something that athletes possess. Movement and attention to movement can produce a heightened sense of awareness and less stressed sense of identity---a less rigid sense of self. What does lack of movement do therefore? Changing one’s way of moving our bodies also has an impact on how we feel about ourselves and the environment.
                    “…Depression is often experienced in the body as a passive giving in to weight.. The slightest movement can diminish this. What is important is the indication of participation, rather than passivity”
    Embodiement
    (Philip Zarelli). Relational modes of experience. When we engage with our bodies we are able to have more heightened levels of experience in which we see ourselves as full human beings…the body connected to the mind in a dialectic

    Flow:
    Flow is the mental state of operation in which a person performing an activity is fully immersed in a feeling of energized focus, full involvement, and enjoyment in the process of the activity. In essence, flow is characterized by complete absorption in what one does. Proposed by Mihály Csíkszentmihályi.

    According to Csikszentmihalyi, flow is completely focused motivation. It is a single-minded immersion and represents perhaps the ultimate experience in harnessing the emotions in the service of performing and learning. In flow, the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. To be caught in the ennui of depression or the agitation of anxiety is to be barred from flow. The hallmark of flow is a feeling of spontaneous joy, even rapture, while performing a taskalthough flow is also described (below) as a deep focus on nothing but the activity – not even oneself or one's emotions.

    Flow has many of the same characteristics as (the positive aspects of) hyperfocus (near death experience/obsessive behavior). However, hyperfocus is not always described in such universally glowing terms. For examples, some cases of spending "too much" time playing video games, or of getting side-tracked and pleasurably absorbed by one aspect of an assignment or task to the detriment of the assignment in general. In some cases, hyperfocus can "grab" a person, perhaps causing him or her to appear unfocused or to start several projects, but  complete few.

    Colloquial terms for this or similar mental states include: to be in the momentpresentin the zoneon a rollwired inin the grooveon firein tunecentered, or singularly focused.
    ______________________
    Reacding Notes:

    Modern Postural Yoga From Krishnamacharya School shares the following Qualities
    • arduous training
    • instruction in postural conventions which are sequenced (precision)
    • breathing techniques
    • forms of mediation (based on attention to various rules and precision as well as RITUALIZED behaviors-names of postures, drishti (fixed gaze), precise muscle use, ending in savasana)
    • emphasis on PRACTICE
    Interest DEEPENS over time
    • chanting
    • philosophy
    • history
    • etc
    The YOGA SHALA is a RITUAL SPACE (not neutral)
    • symbols
      • lighting
      • smells
      • music
      • statuary
      • set up (alter)
      • props
      • mats
      • rules for interaction
      • etc.
    Ritual Progression
    • SEPARATION
    • TRANSITION (liminal)
    • INCORPORATION
    Yoga as Embodied Experience
    • Attending to movement
      • must learn to feel the body move and then feel it move differently
        • Alexander, Feldenkreis, Laban, Authentic Movement
    • learning to experience proprioception and knesthesis
      • may result in "sustained dynamic flow" (sheets johnstone)
      • no goal except the movement and the experience of the movement itself
      • PRACTICE leads to deeper modes of sustained flow
      • Liberating; More fluid sense of self
    • Heightened sensitivity
      • breathing
        • inner awareness
        • comparison of inner and outer worlds
        • experience the health of the body and emotional states
    • emotion
      • community
      • relievs burden of individuality
      • collective sensibility
      • shared community
        • like minded
        • emotional pose
     EXISTENTIAL EMPOWERMENT in body adjustment and community practice

Modern Physical Culture and It's Roots

GOSH

Gosh

Gosh & Bikram


The physical culture movement of the 19th century owed its origins to several cultural trends.

  • The middle classes were suffering from various "diseases of affluence" that were partially attributed to their increasingly sedentary lifestyles.
  • Exercise systems were developed, typically drawing from a range of traditional folk games, dances and sports, military training and medical calisthenics.
  • Physical culture programs were promoted through the education system, particularly at military academies, as well as via public and private gymnasiums.
  • The growth of a genre of magazines and books detailing these systems of physical culture. Mass production techniques also allowed the manufacture and commercial sale of various items of exercise equipment. 
Certain items of equipment and types of exercise were common to several different physical culture systems, including exercises with Indian clubs, medicine balls, wooden or iron wands and dumbbells. Combat sports such as fencing, boxing and wrestling were also widely practiced in physical culture schools, and were touted as forms of physical culture in their own right.

  • By the later 19th century, the ethos of physical culture had expanded to include exercise as recreation, education, as preparation for competitive sport and as an adjunct to various political, social, moral and religious causes
  • “The Muscular Christianity” (YMCA/Salvation Army) movement is an example of the latter approach, advocating a fusion of energetic Christian activism and rigorous physical culture training.

Rise of international competition among the founders and/or promoters of various systems

  • The German Turnverein promoted a system of what became known as "heavy gymnastics", meaning strenuous exercises performed with the use of elaborate equipment such as pommel horses, parallel bars and climbing structures. The Turnverein philosophy combined physical training with intellectual pursuits and with a strong emphasis upon German culture. Numerous events in modern competitive gymnastics originated in, or were popularized by the Turnverein system.
  • The Czech Sokol physical culture movement was largely inspired by the Turnverein. 
  • The "Swedish System" founded by Per Henrik Ling promoted "light gymnastics", employing little, if any apparatus and focusing on calisthenics, breathing and stretching exercises as well as massage.
  • Eugen Sandow's system, based uponweight lifting, enjoyed considerable international popularity, while Edmond Desbonnet and George Hebert popularized their own systems within France and French-speaking countries. 
  • Bernard Macfadden's system became especially popular within the USA, via the promotion carried out through his publishing empire.
  • The Bjelke-Petersen School of Physical Culture in Hobart, Australia in 1892. This version of physical culture, often informally referred to as "Physie" (pronounced "fizzy"), is generally performed by girls and women and has evolved into a combination of gymnastics, ballet, and aerobics.




From Body Tribe in Sacremento…
“The body is a tool for greater purpose, not just the end result of your training. Therefore, training is the means to an increase in the quality of life through movement. The Physical SubCulture is the modern organized effort to incorporate centuries of physical rituals and beliefs in exercise and movement into an integral part of all aspects of culture. Whether through lifting heavy objects of all shapes and sizes or finding new ways to move the body by itself, the Physical SubCulture movement is about strengthening the spirit through pushing the limits of the body.”
 “Character can now be communicated to a prospective client or new employer by the relative fitness of one’s body.  A lean, hardened body suggests discipline, control and personal responsibility.  Great stamina suggests dedication.  The qualities that a businessman admired - commitment, steadfastness and forbearance - are just as important today as they were a century ago.  But now they are communicated differently.  They are expressed through one’s physique.  The interpretation of character is now a completely visual process.”  - Ronald Dworkin, The Rise of the Imperial Self

Nowhere in the definition of fitness do the words “look better,” “ripped abs,” or “toned and defined” appear, yet aesthetics make up for probably 90% of the Average Gym Members (AGMs) in the world.  If the premise of Dworkin’s statement above is true, then many folks want to appear powerful.  Judging a book by the cover, perhaps, but it’s the quickest estimation of character we have.  It may not be fair, but what else do you have to go on in the first few seconds of meeting someone?  Although the premise may be accurate, it shows a gross inaccuracy of character judgment.  What may be initially perceived as dedication and forbearance may simply be narcissism or shallowness.  Strength of character may correlate with strength of joints, muscle, spine and spirit, but rarely with just how pretty those muscles look.

Yogendra


The age-old correlation between aesthetic appeal and practical achievement is not entirely accurate, but the butt-whuppin’ drive it takes to conquer our fitness demons is the same piss and vinegar we need for all other obstacles in life.   Though Dworkin discusses simple appearance and how it relates to impressions, that belief exists because it’s understood thatby attaining a higher awareness of oneself through the fitness medium, the impressions of power, control and dedication won’t be superficial.  When we witness high levels of power and fitness in the gym (or out), we witness people who don’t doubt their ability and set no limits on what they are capable of.  That often correlates with other areas of their life (hopefully).  Unfortunately, people believe that looking the part equates to being the part.  Common gym experience will belay time and time again how untrue that is.
Who’s to blame for the emphasis of outer appearances?  No one and everyone.  “Blame” isn’t exactly the right word.  Our bodies process information quickly through the senses, sight usually being the first.  It takes more time and effort to incorporate deeper judgmental skills, to assess the worth of someone through achievement, ability, personality, etc., so our initial visual judgment holds until our minds process more information as we receive it. Since our initial perception is sensory based, it’s a direct link to all our other sensory judgments, like physical attraction, which can easily override the brain’s ability to create a fairer opinion based on more intrinsic and internal qualities. In other words, we can overlook a lot of personality flaws in physically beautiful people.  Hence, the one night stand, or the long term, tumultuous relationship.  Usually both are completely physically based, sometimes despite efforts to try to like or accept qualities about the other person that actually are very annoying or downright disagreeable.  It’s easier (not better) for passion to exist from physical attraction – kickin’ bod, nice smell, seductive smile - then from more profound attractions, like wisdom, common dreams and ideas, sense of humor. And our ubiquitous media is the largest exploiter of this.  Therefore relationships and desires are created in greater numbers from the physical world, though they’re often fickle, short lived and erroneous. The strongest relationships, though, might begin with the physical, but then incorporate the spirit.




Our strongest pinnacles of culture, be it artistic (musicians, painters, writers) or cognitive activists (philosophers, religious idealists, politicians), have become attractive to us through a deeper, more powerful lust - the lust of the mind and spirit.  After initially hitting our senses, we found something inside of us that embraced them, which replied back to our senses to ask for more.  Our senses then were a means to an end, not the final decision, with the ultimate choice being a fulfilling internal and eternal one.  This is what we can become, and the tools needed for a true fitness lifestyle - dedication, focus and intensity - can be applied to all aspects of life. This is a definition of fitness: becoming better at life through movement.  By improving the connection between body and mind we will make ourselves more useful, more inspiring, more “attractive” than just a pretty little flesh packet.
Incorporating the Spirit 

“Spirit” often has religious or New-age connotations relating to foo-foo guru-ism or far-out fanaticism.   Spirit, though, may be simply thought of as the untouchable, non-physical aspect of what drives our flesh packets.  Fitness, then, is beyond physical.  When our bodies, which house the ethereal essentials as well as the solid vitals, transcend the menial task of just holding everything together (in other words, when your body is fully alive) only then does the wall between flesh and spirit lower.  Intensity, the quasi-tangible prerequisite for accomplishment, helps bridge the gap between body and soul.  When we are pushed to the limits - intense pain, intense pleasure, intense terror, intense joy - concrete “goods” and “bads” fall on their foundations. Inner strength, sense of being, those obvious times when the spirit steps in to run the show, usually can be traced to a sensational intensity.  We push our limits - physical, sexual, artistic, sensational - with a primal, subconscious desire to accomplish the incorporation of the spirit.  But often the mind/body/spirit merger isn’t completed, so steeped are we in just the physical, so content with our insecurities. We pull a “let’s-just-be-friends” with our spirits, achieving only rare and brief samples of our potential in dreams, inspirations and epiphanies.  We’re too secure in our insecurities to accept the spirit through the threshold we often create for it.

Since intensity is a key to acknowledgment of the spirit, our workouts can make pretty strong bridges inward.  This isn’t to say that fitness should be a complete self-actualizing quest.  Heck, where’s the fun in that?  But applying respect and appreciation for the art and science of movement will fulfill deeper needs than the constant struggle to look better.  Let’s face it. Through working out, you will automatically increase the benefit to your physical appearance.  It’s a required by-product.  When that focus dominates a workout, though, the accomplishment is rather shallow, a minor victory in your grand scheme.

Inspiration and celebration for life       
We need basic functions and actions to provide ourselves with the ability to transcend basic functions and actions.  We wake up, brush our teeth, pretty-up ourselves, dress and eat before we attack the greater tasks of creating, accomplishing and providing.  Though your protocol might not match the exact pattern above, we all have routines to move us through the day so we can focus and function better on more important tasks.  Routines are thoughtless actions that meet basal requirements.  Routines do not offer inspiration or purpose beyond our most simple needs.  Routines, albeit necessary, are droll.  Plain and simple.

Fitness goals are more often vague hopes than thought-out plans.  Most folks in the gym “will know when they get there,” which is to say they don’t have measured steps and progressions that can be manipulated to ensure progress.  Fitness goals are rarely about life enhancement (unfortunately) and have more to do with simple, often erroneous or obsessive, aesthetic goals (which actually negates them having anything to do with “fitness”).

Movement, especially in extreme forms, is an open spectacle, an individual parade for existence.  The ability to overcome very real and physical obstacles, be it in the form of several hundred pounds lifted off your body or conquering new terrain on a cardiovascular journey, should never be a routine.  Let’s not take motion for granted.ritual?
When asked “how do we live spiritually?’ Joseph Campbell replied, “In ancient times, that was what ritual was for.  A ritual can be defined as the enactment of a myth.  By participating in a ritual, you are actually experiencing a mythological life.  And it’s out of this participation that one can learn to live spiritually”

When conscious thought or meaning is applied to a movement or task to invoke a greater good, then it is a ritual.  When considering what Dworkin wrote, instead of gaining the appearance of power and discipline, why not actually BE powerful and disciplined?
“People create images of themselves in the world and guide their action according to such images.  The images are not only myths that capture the meaning of past experiences but lead to anticipation of future events.” - N. Fredman and R. Sherwood, Handbook of Structured Techniques in Marriage and Family Therapy

The meaning of myth in ritual is not folklore, or storyteller’s fantasy, but the correlating metaphoric representation of a very real emotion, aspect or quality in life.  With ritual within a workout, a lift cannot only be a literal display of power, but can be representative of power in other aspects of life, a very real myth of power.  Much of the fitness literature out there makes wonderful, if not oblique, claims of self-empowerment, stress relief or ability to deal with stress better, esteem building, and the overcoming of many non-physical obstacles. But these aren’t just automatic byproducts of fitness.  Unless some cognitive effort is made not to take physical ability for granted, these potential qualities are wasted. Obligatory fitness, which is fitness under duress of guilt, usually stemming from erroneous pressures of physical ideals, will not meet any of the above claims.  Obligatory fitness makes up for that giant dessert from last night, or a weekend of bingeing.  It is fitness without ritual, fitness without passion.  It yields little true gain and satisfies daily guilt, not any actual goal.
Okay, so now what?

“To derive power from a ritual it must, in some way, stand apart from our ordinary lives.  It is not uncommon for us to have so much of our energy and attention directed towards our daily routines and our goals that our focus becomes narrowed.  We may even have become preoccupied with our doubts, our fears, or our pain.  These things can isolate us.  We may lose connection with the rhythm in our lives and the passage that we share as human beings on the planet.  This is what the existential philosopher Martin Heidegger called a state of ‘forgetfulness of being.’” - Renee Beck and Sydney Metrick, The Art of Ritual
A common and easy way to dwell in the “forgetfulness of being” is to live in routine. Now routines can have an acceptable, if not required, place in survival as mentioned earlier. But a routine will never produce progress, routine will never breed inspiration.  By being self-aware, and “conscious of being the creative composer of one’s own life” (Beck), we achieve the condition of “mindfulness of being.”  We can take a little responsibility, using our workout as one of many possible vehicles, and choose to be aware of our movements and action, maybe even using a little metaphor or fantasy to shift the focus from the micro process (sets, reps, mechanics) and view its place in the macro process (being better at life).  If we view our workouts as ceremonies of intensity and commitment and apply them to an organized set of cyclic goals, from baby steps to the grand scheme o’ things, the workout can become a ritual, not just a routine.

Even famed malignant Englishman Alister Crowley wrote “magic is the art and science of making change occur according to will.”  If our true will is simply droppin’ some fat to satisfy a scale, then we should be damned to a life of obligatory fitness.  If our workouts are rituals of the celebration of movement, ability, and therefore life, we’re pretty magical."

Iyengar Yoga 2/13 (Tuesday) Please Read

Read E Sections "Iyengar Yoga" "Our Guruji" and "FAQ" sections from this website:

IYENGAR YOGA


Thursday, February 1, 2018

Yoga Lineages: Resource For In-Class Practice this semester.

Lineages:

(1) Yogananda Parmahasma---------Ghosh (brothers) (physical culture and body building)
                                                          I
                                                      Bikram Choudoroy (Bikram Yoga)




(2)                                Krishnamacharya (Mysore palace)
                                     I                        I                                    I
     BKS Iyengar (nephew)       Patthabi Jois  (nephew)         TKV Desikachar (son)
          (Iyengar Yoga)                      (Ashtanga Yoga)                          (Viniyoga)
                 Pune                                     Mysore                                     Bombay
             /                                            /                                           
       (Anusura)                             (power, hot & Jivamukti yoga)      




(3)                                 Swami Sivananda (flying yogi) Pattamahadai (Tamil Nadu)
                                              I                                       I
                 Swami Vishnudevananda                       Swami Satchitananda
                  (Sivananda Yoga-Canada)                         (Integral Yoga-USA)      



(4)                                        Yogi Bajan Lahore/New Dehli
                                                     I
                               Gurmukh Kaur Khalsa/ et.al
                                            (Kundalini Yoga)



(5)                                           Swami Kripalu Gujarat
                                         I                                 I                                       I
                       Amrit Desai                 Yoganand (Michael Carroll).        Rajarshi Muni
                     (Kripalu Yoga)                   (Prana Kriya Yoga)               (Kripalunanada)
                  




KRISHNAMACHARYA
     IYENGAR YOGA (link)- BKS Iyengar (Gita)

Focuses on the structural alignment of the physical body through the development of asanas. Through the practice of a system of asanas, it aims to unite the body, mind and spirit for health and well-being. This discipline is considered a powerful tool to relieve the stresses of modern-day life which in turn can help promote total physical and spiritual well-being.
It can be said that Iyengar differs from the other styles of yoga by three key elements: technique, sequence and timing.
  • Technique refers to the precision of the body alignment and the performance of pranayama.
  • Sequence means the sequences in which asanas and breathing exercises are practiced. Following the specific sequence is important in achieving the desired result, because only the combination of certain poses and breathing techniques can ensure the expected positive effect.
  • Timing is the third key element which defines the time spent in each pose or pranayama.
Iyengar Yoga is characterized by great attention to detail and precise focus on body alignment. Iyengar pioneered the use of "props" such as cushions, benches, blocks, straps and sand bags, which function as aids allowing beginners to experience asanas more easily and fully than might otherwise be possible without several years of practice. Props also allow elderly, injured, tired or ill students to enjoy the benefits of many asanas via fully "supported" methods requiring less muscular effort.
Unlike more experiential approaches where students are encouraged to independently "find their way" to the asanas by imitating the teacher, an Iyengar Yoga class is highly verbal and precise, with misalignments and errors actively corrected. Iyengar teachers complete at least two years of rigorous training for the introductory certificate. They may complete subsequent intermediate levels and senior levels of certification, potentially entailing a decade or more of training.
Iyengar also targeted various ailmentsdiseases, and disorders with his practice. Chronic back painimmunodeficiencyhigh blood pressureinsomniadepression and menopause have specific programs of yoga associated with them. Iyengar worked with those who had myocardial infarctions. The asanas are designed to be adjusted based on a person's stage of recovery.
          ANUSURA YOGA (link)- John Friend
Anusara School of Hatha Yoga draws from classical Indian texts, such as the Yoga Sutras of Patanjali and the Bhagavad Gita, and reinterprets them from a non-dualistic viewpoint known as Shiva-Shakti tantra. Anusara School of Hatha Yoga's philosophy is then applied to more physical aspects of the asana practice:

The Three A's

The practice of Anusara School of Hatha Yoga is broadly categorized into three parts, known as the Three A's:
  1. Attitude, writes Friend, is the "power of the heart as the force behind every action or expression in an asana." It is "the aspiration to reawaken to our divine nature, and the celebration of life."
  2. Alignment, according to John Friend, is the "mindful awareness of how various parts of ourselves are integrated and interconnected." Anusara's Universal Principles of Alignment are refinements of this principle.
  3. Action, according to Friend, is the "natural flow of energy in the body, which provides both stability and joyful freedom."

Universal Principles of Alignment

Anusara School of Hatha Yoga works with five major alignment principles. When assuming a yoga pose, Anusara School of Hatha Yoga practitioners make refinements on the pose's alignment by performing the principles in order. Within each principle, there are further refinements.
Universal Principles of Alignment
PrincipleElaboration
Opening to GraceThe practitioner intends to place him/herself in alignment with the flow of Supreme Consciousness. For asana practice, this includes having an attitude of soft-hearted devotion, and open-mindedness. Refinements of this principle include, "inner body bright", "outer body soft" and "side body long."
Muscular EnergyA drawing of energy from the periphery of the body into a central location in the body, called a Focal Point. Muscular Energy seeks to increase stability, strength, and physical integration in the pose.
Inner SpiralAn expanding energy spiral. In the legs it runs from the feet up through the pelvis into the waistline area to rotate the legs inward, move the thighs backward, and widen the thighs and pelvis. In the arms Inner Spiral spins the forearms inward from anatomical neutral
Outer SpiralA contracting energy spiral. In the legs it runs from the waistline area down through the tailbone and out through the legs and feet to draw the pelvis and thighs closer together, move the tailbone and thighs forward, and rotate the legs outward. In the arms, Outer Spiral spins the upper arms out and away from each other from anatomical neutral, refining the heart-opening action of the Anusara School of Hatha Yoga practice.
Organic EnergyAn outward extension of energy from the Focal Point through the core lines of the body to the body's periphery, which increases expansion, flexibility, and freedom in the pose.

Focal Points

Anusara School of Hatha Yoga's alignment principles highlight three Focal Points in the body:
  1. Pelvic Focal Point, located in the core of the pelvis.
  2. Heart Focal Point, situated at the bottom of the heart.
  3. Upper Palate Focal Point, found at the roof of the mouth.
In any given pose, only one Focal Point is active, that being the one nearest the most weight-bearing part of the pose. Muscular Energy draws into the active Focal Point, and Organic Energy extends out from it. In a pose where more than one Focal Point is equally weight-bearing, the pelvic Focal Point becomes the active one by default.

Energy Loops

In creating his style of yoga, John Friend noticed that there were further alignment refinements that corresponded to loop-shaped movements in the body. Looking at one's body in profile, each of these loops has its origin in the vertical center line of the legs, trunk, or head, rotating toward the back plane of the body and looping either upward or downward and back in the other direction (down or up) along the front plane of the body. Each loop intersects with adjacent loops above and below it and has a right and left component. The seven energy loops are:
  1. Ankle Loop, starting from the center of the ankle bone, running down to the heel, under the sole of the foot and back up to the ankle.
  2. Shin Loop, starting from the center of the ankle bone, moving up the calf to just below the knee, then returning down the front of the shin.
  3. Thigh Loop, starting at the pelvic focal point, running down the back of the thigh to just below the knee and back up the front of the thigh.
  4. Pelvic Loop, originating in the core of the lumbar spine, looping down the back to the pelvic focal point and back up the belly.
  5. Kidney Loop, beginning at the lumbar, running up the back ribs to the heart focal point and back down the front to draw floating ribs in.
  6. Shoulder Loop, originates at the upper palette, runs down the back of neck and shoulder blades, through the heart focal point and back up across the front upper ribs and throat.
  7. Skull Loop, starts from the upper palette and runs over the back of the skull and down the face.
John Friend's new gig: THE ROOTS

     ASHTANGA YOGA (link)  (Pathabhi Jois-Sharit Jois)
The Yoga Korunta is a purported ancient text on yoga, transmitted by oral tradition to Tirumalai Krishnamacharya by his teacher Ramamohana Brahmachari in the early 20th century, and further to Sri K. Pattabhi Jois beginning in 1927, who then used it as the basis of his system of Ashtanga Yoga introduced in 1948.
The existence or historicity of this oral transmission cannot be verified, and the text itself has not been preserved. It is said to have been made up of stanzas using rhymed, metered sutras, in the manner common to texts transmitted orally in the guru-shishya tradition.
The text is said to have described several lists of many different asana groupings, as well as highly original teachings on vinyasadrishtibandhasmudras and general teachings.
The name Yoga Korunta is the Tamilized pronunciation of the Sanskrit words Yoga grantha, meaning "book about yoga".
There is also evidence that the Ashtanga Yoga series incorporates exercises used by Indian wrestlers and British gymnastics. Recent academic research details documentary evidence that physical journals in the early 20th century were full of the postural shapes that were very similar to Krishnamacharya's asana system.In particular, the flowing surya namaskar which later became the basis of Krishnamacharya's Mysore style, was not yet considered part of yogasana.
Krishnamacharya has had considerable influence on many of the modern forms of yoga taught today. Among his students were many notable teachers of the later 20th century, such as K. Pattabhi JoisB.K.S. IyengarIndra Devi, and Krishnamacharya's son T.K.V. Desikachar. Krishnamacharya was well known for tailoring his teachings to address specific concerns of the person or group he was teaching, and a vinyasa series for adolescents is a result of this. When working under the convalescing Maharaja of Mysore, Krishnamacharya set up a shala, or yoga school in the palace grounds and adapted the practice outlined in the Yoga Korunta for the young boys who lived there. Ashtanga Yoga has since been thought of as a physically demanding practice, which can be successful at channeling the hyperactivity of young minds. This system can also be used as a vessel for helping calm ongoing chatter of the mind, reducing stress and teaching extroverted personalities to redirect their attention to their internal experience.

Sequences & Series

Ashtanga Yoga is different from many yoga classes in the west in that the order of asanas is completely predefined.
A practice will comprise four main parts: an
  1. "opening sequence,"
  2. one of the six main "series",
  3. a back-bending sequence, and
  4. a set of inverted asanas, referred to as the "finishing sequence."
Practice always ends with savasana.
The opening sequence begins with 8 to 10 Sun Salutations and then several standing asanas. Next, the practitioner will do one of the six main series:
  1. The Primary series (Yoga Chikitsa: Yoga for Health or Yoga Therapy),
  2. Intermediate series (Nadi Shodhana: The Nerve Purifier) (also called second series),
  3. The Advanced Series (Sthira Bhaga: Centering of Strength):
  1. Advanced A (also called third series),
  2. Advanced B (also called fourth series),
  3. Advanced C (also called fifth series) and
  4. D (Sthira Bhagah) (also called sixth series).
The 6 series are designed to be practiced over 6 consecutive days, a different one each day. Newcomers to Ashtanga Yoga practice the primary series, after learning the standing sequence. The Primary Series is the most important series as it forms the basis of the entire system. Practitioners may advance to more difficult series over a period of years or decades, but the goal of this style is not to learn the more difficult asanas but rather to learn to maintain internal focus throughout the practice. A challenge to a simplified version of the practice being taught to public schoolchildren in the US as an unlawful promotion of religious beliefs failed.

Daily Practice

Daily or regular practice is highly emphasized in Ashtanga Yoga. Students are encouraged to practice 6 days a week, preferably in the morning, and to take rest on Saturdays as well as the days of the full and new moon (commonly referred to as moon days by ashtanga practitioners).

Mysore Style

Ashtanga Yoga is traditionally taught in Mysore style (supervised self-practice, named after the city in India from which Ashtanga originates). In this self-led style of practice, each student moves through the practice at his or her own pace and level, as directed by the instructor.
An individual with an established Ashtanga practice might take between an hour and two hours, depending on his or her own personal speed; whereas a beginner will likely have a shorter practice. Yoga studios that teach Mysore-style practice are sometimes difficult to find.
It is more common to find classes devoted to a specific series, often at a standardized pace, guided by an instructor. However, even traditional Mysore-style teachers offer "led" classes either weekly or monthly.
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          POWER YOGA
Power Yoga, taking from its Hatha Yoga roots, consists of both a standing and sitting sequences of movements linking the usage of physical movement, breath-work or pranayama (Sanskrit: प्राणायाम) and meditation. Power Yoga strikes a balance between the originating values of yoga (Sanskrit: योग) found in India and the North American societally driven demands for physical exercise.
Power Yoga is often practiced in a hot room held at a temperature approximate to 105 °F or 40.6 °C (László & Smith, 2009).
Power Yoga has been argued to be the fundamental style of Hatha yoga that allowed for cultural acceptance of yoga in North America. According to the North American Studio Alliance, 30 million people are practicing yoga in the United States of America. This includes practitioners not just of Power Yoga, but the entire practice of Hatha Yoga. Its popularity has led the sharing of sequences and movement across all of the following forms of Hatha Yoga.
Power Yoga sequences can vary dependent on the other Hatha Yoga knowledge held by the teacher, sometimes adhering to the Ashtanga Primary Series or working into variations thereof. Power Yoga was founded by the following people, (which except for Baptiste were all once students of K. Pattabhi Jois):
Jois disagreed with providing access to all poses to all students and referred to Larry Schultz as "The bad man of Ashtanga Yoga." Jois criticized Power Yoga for "degrading the depth, purpose and method of the yoga system", thereby turning the practice of asana into what Jois considered was "ignorant bodybuilding". Jois sought to distance himself from the new Power Yoga and said in a letter he wrote in 1995 to Yoga Journal Magazine: "Power is the property of God. It is not something to be collected for one's ego...The Ashtanga yoga system should never be confused with 'power yoga' or any whimsical creation which goes against the tradition of the many types of yoga shastras (scriptures). It would be a shame to lose the precious jewel of liberation in the mud of ignorant body building."
               Babtiste
               Brian Kest
               Ana Forrest
               Beryl Bender Birch
          Jivamukti
     Viniyoga (Deskishar)
Viniyoga ™ is a comprehensive and authentic transmission of the teachings of yoga including asana, pranayama, bandha, sound, chanting, meditation, personal ritual and study of texts. Viniyoga ™ (prefixes vi and ni plus yoga) is an ancient Sanskrit term that implies differentiation, adaptation, and appropriate application.

SIVANANDA YOGA (link) -Swami VishnuDevananda
Yoga means union of the mind, body and spirit with the Divine and while this refers to a certain state of conciousness both individual and Universal, it is also a method to help one reach that goal.
We teach a traditional, exact and easy-to-learn system that aims at naturally achieving the goal through creating a healthy body and mind that leads to spiritual evolvement.
Based in the teachings of Swami SivanandaSwami Vishnudevananda summarized the yoga philosophy in 5 principles or the Five Points of Yoga which make the complex teachings of yoga easier to understand:

FIVE POINTS OF YOGA

  1. Proper Exercise (Asanas) - Yoga poses help develop a strong, healthy body by enhancing flexibility and improving circulation.
  2. Proper Breathing (Pranayama) - Deep, conscious breathing reduces stress and many diseases.
  3. Proper Relaxation - Helps keep the body from going into overload mode, easing worry and fatigue.
  4. Proper Diet - Eating simple, healthy and vegetarian foods that are easy to digest notably have a positive effect on the mind and body, as well as the environment and other living beings.
  5. Positive Thinking (Vedanta) and Meditation (Dhyana) - These are the true keys to achieving peace of mind and eliminating negativity in our lives.
     Satchitananda

GHOSH
     BIKRAM YOGA (link) -Bikram Chodouroy
Bikram Yoga is the 26 postures Sequence selected and developed by Bikram Choudhury from Hatha Yoga. 
It has been proved and experienced by millions that these 26 postures systematically work every part of the body, to give all the internal organs, all the veins, all the ligaments, and all the muscles everything they need to maintain optimum health and maximum function.  Each component takes care of something different in the body, and yet they all work together synergistically, contributing to the success of every other one, and extending its benefits.
Bikram Yoga can be practiced under the guidance of a certified Bikram Yoga Teacher at one of the affiliated Bikram Yoga studios
These studios are built in such a way that you always get the proper heating which help you to do your postures optimally. Bikram calls these studios as “Torture Chambers”.
     Tony Sanchez

KRIPALU YOGA (link) -Amrit Desai 
The Teachings of Swami Kripalu 
Swami Kripalu was a devoted yogi with an inquisitive mind who explored every facet of the yoga tradition. During his lifetime, he generated a large body of teachings that fall into two major categories: a universal set of teachings encouraging everyone to cultivate personal health, well-being, and a virtuous character; and a set of teachings for serious aspirants desiring to study the potent form of yoga that he practiced. 
Here is a sampling of Swami Kripalu’s essential teachings.  
Healthy Lifestyle: Swami Kripalu was a lifelong student of the Bhagavad Gita, which teaches yogis to couple their spiritual practices with a wholesome lifestyle. Many of his teachings were focused on healthy lifestyle and Ayurveda.
Importance of Daily Practice: By example and in his teachings, Swami Kripalu stressed the need for personal practice. He believed that direct experience on the mat or meditation cushion helped to catalyze growth and bring the teachings of yoga to life.
Different Approaches for Different Natures: Swami Kripalu taught that spirituality can never be a one-size-fits-all endeavor. This respect for the individual lies at the core of Kripalu’s approach to helping people discover and pursue their unique expression of life.
The Path of Love: Swami Kripalu walked what he called “the path of love.” As he said, “Truly, the wise proclaim that love is the only path … and the only scripture.” In particular, he emphasized the task of creating loving relationships with those closest to you: family, friends, and coworkers. This kind of love is real, tangible, and not at risk of becoming a spiritual abstraction.
Self-Observation: Swami Kripalu taught that all contemplative practices are designed to foster what he called “self-observation without judgment”—what Kripalu Yoga refers to as “witness consciousness.”  
The Importance of Prana: Swami Kripalu taught that the soul emanates prana, a subtle life force intimately tied to the breath that animates the body and illumines the mind.
Compassion for Self and Others: The word “Kripalu” means “being compassionate.” Swami Kripalu was renowned for the depth of his compassion and his genuine love of people.
Service: Swami Kripalu saw service as a natural outgrowth of love and an effective tool for personal and spiritual growth. Kripalu’s work, at the retreat center and in the world, embodies this teaching. 
Role of Spiritual Centers: Swami Kripalu characterized retreat centers as “laboratories that establish truth by experiments … Like the temples of the past, today’s spiritual centers will serve as the source of  yoga and spiritual culture to spread all over the world.”

The Yoga Society of Pennsylvania

Indian-born Amrit Desai came to the United States in 1960 to attend the Philadelphia College of Art. A close disciple of a renowned Indian yoga master named Swami Kripalu, Desai taught yoga classes to a growing number of yoga enthusiasts in the Philadelphia area. In 1966, Desai and nine others formed the Yoga Society of Pennsylvania, a nonprofit organization organized to advance the science and philosophy of yoga. Within a few years, Desai had trained numerous Americans as teachers and the Yoga Society was offering 150 yoga classes a week. Along with classes, the Yoga Society made yoga books and other educational resources available to students, an activity that continues today in the Kripalu Shop.
KUNDALINI YOGA (Link) (Yogi Bajan)

No Lineages:
Globalized Yogis &the Middle Class (international/televised)
ISHA YOGA (Jaggi Vasidev)
ART OF LIVING (Sri Ravi Shanker)
Nationalist Yogis